Apple hires a wearable technology guru

Apple hired a Senior Prototype Engineer, Richard W. DeVaul, a few weeks ago. He has a Ph.D. in Media Arts & Sciences from MIT and co-founded AWare Technologies. Not completely new news, but worth pondering what this means to the wearable technology field. With so much momentum being built up, will this help us reach the tipping point? According to The Unofficial Apple Weblog (Tuaw), "Apple has patented a large number of wearable fitness devices lately. Perhaps it's these that DeVaul will be working with, though we imagine that such a brilliant engineer will have his own ideas." So far the only wearable technology on the market today from Apple is the Nike+ iPod kit they created in collaboration with Nike. I'm eager to see what they do next.

Read the full article and announcement on Tuaw.

Image from Russell Hirtzel's portfolio site produced for Nike Brand Design Media Used for print and web advertisements.

Experiments with kinetic and mechanical garments

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Art Center College of Design Media Design student, Jae Kim, has done some fascinating structural and mechanical experiments that explore kinetic mechanics and movement in garments. The skirt exploration "is loose on top and gradually flows into a series of triangular pieces on the bottom. The triangles created a geometric form to the skirt that is then tied to a mechanical controller. The wearer adjusts the control located at the hip and the skirt reacts by moving the geometric grid, creating new rigid forms from this textile. The project hints at machine embedded fashion that can change forms at the touch of a button." Continue reading on designboom.com.

Some earlier stuctural exploration came out of a material and methods class. "The first assignment of this class was creating a device or object utilizing the sense of haptic. Beforehand, I studied the structure of umbrella; I dismembered and reconstruct the structure and created a new object. The process of dismembering and reconstruction inspired the making of this hood; I took the feeling of folding, flexibility and versatility. This hood can be an individual shelter. It is weather proof. It can be a shade from the sunlight and rain." (cargocollective)

Keep up the gorgeous work Jae! I can't wait to see more.

Photos from designboom.com and cargocollective.com. More about Jae Kim and his work can be found on cargocollective.com.

An interview with Alison Lewis of iHeartSwitch

I ran into DIY designer Alison Lewis at the Smart Fabric conference in Miami last week and tracked her down for an interview. She has been doing some amazing things while making electronics and wearable technology more accessible to a wider audience, especially girls and young women. Her work is definitely paving the way to making wearable technology more acceptable in mainstream markets. Here's what she has to say: [EF] What led you to start working with electronics and wearable technology? [AL] My interest in wearable technologies came about in graduate school at Parsons in New York. When I started playing with wearable technologies, I was able to combine my interests of fashion, interior design, computing, and interaction design into one area. It felt magical, like I could do almost anything. This feeling of empowerment initially led me into fashion technology, but it’s also sustained me as I teach and share the possibilities with others. Keeping that spark is the key to sharing and teaching the opportunities that fashion and wearable technologies can bring to others and is also important to hold onto while your working on a project in order to keep momentum.

[EF] Why have you focused on DIY (Do-It-Yourself)? [AL] I focus on DIY for many reasons. DIY has a long history in craft and fashion, allows you to personalize your designs, is about communicating ideas, and has knowledgeable consumers and creative thinkers.

My grandmother and mother taught me that working with your hands keeps your mind strong and open to new ideas. So, I’ve always been one who needs to create or make something. I ended up in DIY by accident because I started sharing my projects with other people on the web. Through this sharing process I have learned a great deal about the power of community and shared knowledge. I also really enjoy coming up with new ideas and doing illustrations, DIY is the perfect place to use these skills.

When it comes to iHeartSwitch and my book Switch Craft, DIY became the perfect medium for the message. The message being that the skills we have as crafters and makers are valuable in the technology field and that as creators we should be thinking about and influencing the technologies designed for us. I saw no reason why women who could sew and do jewelry couldn’t learn to work with electronics. The skills were basically the same, it was just a matter of language and knowledge of the subject matter. The DIY approach allowed me to cross the great social divide between the electronic world and design world and bring the subject of electronics to an already intelligent and talented group of people.

[EF] Who is your audience? [AL] My audience right now is mostly women. I did a recent survey and it suggests that the people visiting iHeartSwitch are hitting three age groups almost equally. These groups are: 18 - 24, 25 - 34, and 35-49. The majority are married or in a relationship and have interest in sewing, DIYs, fashion design, electronics, green living, and music.

I’d like the audience to expand to people interested in home entertainment, physical fitness, and beauty because these are three areas in which smart fabrics and fashion technology can really impact our lives.

[EF] You mentioned at the Smart Fabric conference in Miami last week that the DIY culture seems to be growing rapidly and expanding to people with all sorts of interests and backgrounds. What are some examples of you finding this to be true? [AL] Yes, the DIY movement has been growing for sometime now. I’ve been lucky enough to see this trend grow through my colleagues at Make and Etsy, who actually lent me a space to work when I was writing and designing the projects for my book Switch Craft. Those two entities have had a huge impact on the proliferation of the DIY movement, which is about giving creative power to the individual and to community groups. Some of the DIY groups you see emerging seem like a natural fit such as with sewing, back yard mechanics, and home design; however, there are also a huge following in areas people don’t normally think of when they think of the term DIY such as with mechanical engineering and biotechnology. It's not just crafters and home hackers anymore, it’s a whole world of people wanting to learn and share their knowledge. Watching the DIY world grow has been wild ride, for sure!

One of the companies that I have the pleasure of knowing in this genre is BurdaStyle; they are an open source sewing community with a strong following. BurdaStyle is allowing fashion designers and home sewers to build off their patterns and even create their own fashion lines and sell them on the site. Sharing their designs is a great example of how a business can use open source or DIY as a way to improve their brand and invigorate new customers.

Outside of the crafts many other areas are emerging such as mechanical engineering, you can often see this on Instructables with people making their own DIY CNC (or cutting) machines. The audience wants tools, but can’t afford them, so some people are building them themselves and sharing the steps with the Instructables community.

Craft and engineering makers are not the only ones that understand the power of DIY, one group that usually takes people by surprise is the DIY Bio Technology community. You can find them at DIYbio.com. Their motto is “DIYbio is an organization that aims to help make biology a worthwhile pursuit for citizen scientists, amateur biologists, and DIY biological engineers who value openness and safety.”

[EF] A lot of your ideas and projects appear as if they are first prototype products. Do you have plans for commercialization and bringing any of these ideas to the market? If so, what do you see as being the biggest challenges in commercializing a wearable product? (i.e., Manufacturing, Smart Fabrics, Infrastructure, etc.) [AL] Yes, my projects are very much advanced first prototypes, and I would like to have a line of products and tools with the iHeartSwitch brand name. I see this happening over the next few years. My main goal at this time is using this DIY and the fashion technology movement as a way to educate and break down social barriers that are keeping women from working with technology.

However, having a line of products is certainly a great way to reach a large group, if they are successful. The main jump for someone like me and other individual designers is finding the right partner. If you have the right partner licensing your product, then they can navigate some of the complicated manufacturing processes and deal with the larger product infrastructure such as storage and sales.

I also have a bit of a reluctance to put out yet another product in the environment and end up in the junk pile, so sustainability is a big concern for me. I see a lot of junk being produced and I’d like to work with someone with sustainable business practices; especially in manufacturing.

This means that the cost of any Switch products may be higher; however, I am hoping that some of the great people from the Smart Fabrics conference will lead me in the right direction and bring some of the products to life.

[EF] Stacey Burr, CEO of Textronics and VP at adidas mentioned last week in the Smart Fabrics conference that DIY could be a great platform for team building and idea generation within corporations who are looking at ways to incorporate technology into their soft-goods and clothing lines. Do you see yourself being a part of this? [AL] Team building and speaking engagements is where I am personally focusing my time and energy in my private consulting practice, outside of iHeartSwitch. It’s important to start building a strong common language between designers and technologists and DIY workshops and focused presentations are a great way to do this. Like I said earlier, working with your hands keeps your mind open, workshops are a gateway for creativity and bonding within a corporate or community setting. This is particularly important with emerging technology companies like smart fabrics where we are dealing with cross-disciplinary teams. There is nothing like watching a material scientist, fashion designer, and electronic engineer get together in a team and build something. Usually results are fantastic and they leave with a better understanding of the challenges and language barriers between them. It’s a winning situation for all involved.

[EF] What can we expect to see from iheartswitch in the future? [AL] I am working diligently to get funding so we can start filling Switch with many more DIYs, video interviews, and product reviews from a female perspective. We are planning to add advertising to the site as a way to support our efforts. Many people ask me to do a DIY a week, but at this time it's not financially feasible, not at the creative level that iHeartSwitch wants to promote. There is a very set, and I think well designed, approach to each DIY or project that we do on the site that works well. It is important that iHeartSwitch maintains these standards as we move forward into video DIYs.

For more info on Alison Lewis, visit her site iHeartSwitch. Photo provided by Alison Lewis and taken by Rayan Collard.

3 Days of Smart Fabric Conference madness in Miami

I attended the Smart Fabric Conference in Miami this week and there was a lot of terrific discussion about the current state of eTextiles, trends and innovations happening with eTextiles and wearable technology, the opportunities and challenges of commercialization, and questions around what's next. The conference was a 3-day jammed packed extravaganza that included keynote speakers Stacey Burr, CEO Textronics and VP adidas, along with Dr. Liesbeth van Pieterson, project leader of the photonic textile project at Philips Research. Some of the trends and opportunity areas that were discussed throughout the 3 days included:

  • The "Urban adventurer" - people who live an urban lifestyle are also seeking outdoor adventure so they can have their own adventure in the city. How do we create products for the outdoor adventurer that keeps them close to their urban lifestyle.
  • Happiness and meaning - over 9 Billion euros was spent in Europe last year on helping people find life meaning.
  • Personalized concepts for health - how do I prevent illness and how can a healthy lifestyle be integrated into my entire life.
  • Green and sustainability - is a very fast growing industry. What are products that can help support the environment?
  • Travel - people are traveling more, working remotely more, and on the go. How can we create products that help people stay connected, be productive, have fun, and provide a sense of home.
  • Cross-integration - how can many different forms of materials, manufacturing techniques, textiles, etc... be integrated into one product and manufacturing lifecycle
  • Cross-innovation - how can many (and somewhat disparate) industries and disciplines work together toward innovative and holistic solutions?
  • DIY (Do-It-Yourself) - is making electronics and wearable technology accessible to a broader audience and opening up consumers to the possibility and acceptance of wearable technology solutions.

People in this field from all over the world (see the list of speakers here) discussed these opportunities and the challenges that this emerging field faces, including:

  • Commercialization - there was a large focus on the topic of commercialization and how to bring new eTextiles and products to the market. There are still a significant amount of manufacturing hurdles to get over since this type of technology requires a new look at the infrastructure and techniques of manufacturing
  • Market potential - who will want wearable technology solutions? What are the market opportunities? What kind of brands and companies are investing in these types of solutions?
  • Market acceptance - will people accept wearable technology? Are they worried about safety? Can they use it?
  • The right solution - what is the right combination of materials, manufacturing, marketing, consumer understanding and need, design, etc...

In between discussions everyone from Despina Papadoloulos of Studio 5050, to fashion designer Angel Chang, to Kenneth Klopp of Ardica Technologies talked about opportunities, challenges and shared what they are working on.

To read more on the Smart Fabric conference, go to the site here.

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The photo is from the eStatic Shadows project done by Jackson Tan (who spoke at the conference) and Professor Zane Bersina. The project is a soft fabric that has thousands of integrated LEDs and electrostatic antennas made of woven conductive thread. This gorgeous eTextile reacts to your electrostatic energy by turning the leds off when you are near. The result is a beautiful and soft shadow that animates to your movement. I just want to wrap myself up in this!

Nike makes a collection of musical footwear

Nike created this evocative promo piece called nikefreemusicshoe that turns a collection of footwear into musical mixers. Bend twist and squeeze the shoes to mix tracks and create compilations on the fly. Amazing promo concept, however, why aren't they actually wearing the shoes? I would love to see full body dance and movement that results in a custom mix. Nontheless, this project has sucked me in and I want to play! Go to the nikefreemusicshoe site to watch the video.

Ping: a social networking garment

[gallery] Alas! I recently completed a project that I've been working on called Ping. It's a garment that connects to your Facebook account wirelessly and from anywhere. It allows you to stay connected to your friends and groups of friends simply by performing natural gestures that are built into the mechanics of the garments we wear. Lift up a hood, tie a bow, zip, button, and simply move, bend and swing to ping your friends naturally and automatically. No phone, no laptop, no hardware. Simply go about your day, look good and stay connected.

I'm investigating three important and emerging areas in wearable technology through this project:

Connection to larger systems The garment investigates ways to connect to larger software systems that can add more functionality and longevity to the experience while offering a new platform for communication and expression.

Aesthetics Rather than simply attaching technology to clothing, the project investigates garments that have electronics built directly into them resulting in a new aesthetic of form and behavior that become a core part of our expression, our identity, and our individuality.

Marketability Very few wearable technology projects successfully target consumers outside of the sports, medical and military fields. We are just not there yet. The project aims to generate market desirability for a wide variety of people to use in everyday life.

Project Site: Go to the project site to see the rest of the concept. Let me know what you think! I would love to hear form you.

PressCNET, FastCompanyfashioningtechAlison LewisSmart Fabrics Conference Miami, talk2myshirt, poshspace.ru, podcastingnews.comecouterre.comgeeksugar.com, San Francisco Chronicle, podcastingnews.com, notcouture.com, netdiver.netInventor Spot, Gizmodo, Engadget, DVICE, Tuvie, TechFlashProtect Your Bubble, Trendhunter, TechNews, Artefact, Fashion Industry Network, newwebpick.com issue #30

Interviews: AOL StylelistiHeartSwitch,